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‘Maestro’: Bernstein’s complexities artfully unveiled
Veronica Qiu
, News Editor, Webmaster
March 13, 2024
‘Dune: Part 2’: Modern take on a classic sci-fi story
Evan Chien
and
Kevin O'Brien
March 13, 2024
‘American Fiction’ delivers prickly satire on race
Kevin O'Brien
, Sports Editor
March 10, 2024
‘The Holdovers’: Misery loves company
Carissa Tsui
, Senior Staff Writer
March 10, 2024
‘Past Lives’: a profound story of love and identity
Anna Feng
, Senior Staff Writer
March 9, 2024
‘Anatomy of a Fall’: Exploring the depths of doubt
Allison Ma
, Culture Editor
March 6, 2024
‘Mean Girls’: The ‘Plastics’ can’t be recycled
Carissa Tsui
and
Veronica Qiu
January 20, 2024
A so-so Christmas movie for a ‘Wimpy Kid’
Carissa Tsui
, Senior Staff Writer
December 11, 2023
‘Avatar: The Way of Water’: Stylish, but not substantial
Carissa Tsui
, Senior Staff Writer
January 16, 2023
‘Nightmare Alley’ Review: A Not-So-Merry-Go-Round
Jeffrey Tu
, Senior Staff Writer
March 27, 2022
‘The Power of the Dog’: A mastery of characters
Anna Feng
, Senior Staff Writer
March 27, 2022
‘CODA’: Almost pitch perfect
Leena Hussein
, Senior Staff Writer
March 27, 2022
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